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You'd think we get enough drama from news and social media—but honestly, we live for it. Netflix has stories of tortured romance; parental struggles; political victories; and all manner of triumphs and tragedies, whether entirely fictional or inspired by true events.
Past Lives (2023)
Greta Lee plays Nora, whose family emigrated from South Korea to the United States when she was a child. Years later, and then over the course of several years, she reunites with childhood friend Hae Sung (Teo Yoo), forcing an examination of her life as it is, and as it might have been. Certainly among the best of the last five years, the film's exploration of roads not taken builds to a powerful emotional punch. You can stream Past Lives here.
The Two Popes (2019)
With a bit of extra relevance in recent days, this biographical film from director Fernando Meirelles (City of God) dramatizes a key period in the relationship between then-Pope Benedict XVI and his soon-to-be successor, Jorge Mario Bergoglio (later Francis). Following the Vatican leaks scandal of 2012, Benedict (Anthony Hopkins) finds himself weakened both physically and in terms of his authority—as he considers resigning the Papacy, he summons Bergoglio (Jonathan Pryce), the leading contender to replace him. The two debate theology and struggle with their own futures in a near two-hander than earned each of the actors Academy Award nominations. You can stream The Two Popes here.
The Six Triple Eight (2024)
Tyler Perry directs this war drama, and it's likely his best movie yet, with a powerhouse lead performance from Kerry Washington as the real-life Major Charity Adams, commanding officer of the 6888th Central Postal Directory Battalion. During World War II, a backlog in mail delivery was causing tremendous harm to troop morale, and so this battalion of Black women was charged with getting letters delivered; Perry's greatest achievement here is making an extremely convincing case for the significance of mail sorting. Once deployed to Germany, the women come under fire from enemy soldiers, as well as from fellow allied soldiers who see no place for women, and particularly Black women, in wartime. You can stream The Six Triple Eight here.
The Long Game (2023)
The drama here is quietly understated, though the stakes are very real. Jay Hernandez heads up the cast here to tell the true story of a group of teens from Del Rio, Texas of the 1950s, who set out to play golf at a white country club as the San Felipe Mustangs. They could be caddies, of course—but to actually play?! The kids went on to win the 1957 Texas State High School Golf Championship, with Long Game dramatizing the triumphs, setbacks, and extremely overt racism on the road to that victory. You can stream The Long Game here.
Society of the Snow (2023)
The true story of the 1972 Uruguayan rugby team lost in the Andes following a plane crash has been the subject of multiple documentaries and two previous dramas (the best known being, almost certainly, Frank Marshall's cannibalism-heavy Alive from 1993). For all that Andes-crash content, this is the best of all of them: a thoughtful and tasteful take on what's sometimes been presented as a salacious drama, with director J. A. Bayona emphasizing both the physical perils faced by the team and the spiritual toll of survival. You can stream Society of the Snow here.
Ma Rainey's Black Bottom (2020)
Sweaty, smoky clubs; outspoken (often openly queer) women who accepted no bullshit—women like Bessie Smith, Lucille Bogan, Gladys Bentley, and, of course, Ma Rainey. The 1920s blues scene was a moment, and Wolfe’s movie goes a long way to resurrecting the era with its contained but explosive story of one stormy Chicago recording session. Based on August Wilson’s play, it’s packed with brilliant performances, led by Viola Davis and Chadwick Boseman in his final film role. You can stream Ma Rainey's Black Bottom here.
The Power of the Dog (2021)
Jane Campion came roaring back after an absence from the director's chair of a decade or so, with this, the most acclaimed film of her career to date. Benedict Cumberbatch stars as Phil Burbank, as beguiling as he is cruel, who runs a family ranch in 1925 with his far gentler brother, George (Jesse Plemons). Phil's callousness sparks into flame when George finds love with a local waitress (Kirsten Dunst), his brother's happiness shifting their power dynamic uncomfortably, and leaving Phil to contemplate (or, rather, to avoid contemplating) his feelings for the man who taught him how to be a cowboy years earlier. You can stream The Power of the Dog here.
Shirley (2024)
A woman president? What's next?! Academy Award winner John Ridley (screenwriter of 12 Years a Slave) directs this quite necessary biopic of sometimes-forgotten pioneer Shirley Chisholm. The first Black woman elected to Congress (in 1969), Chisolm ran a forcefully progressive campaign for president just three years later. Even if the movie is a bit formulaic, in the ways that these things sometimes are, Regina King (perhaps unsurprisingly) gives a moving, illuminating performance as the idiosyncratic trailblazer. You can stream Shirley here.
The Guernsey Literary and Potato Peel Pie Society (2018)
Charmingly unwieldy name aside, Guernsey is a cute and clever period drama based on the popular novel from Mary Ann Shaffer and Annie Barrows. Lily James stars as Juliet Ashton (pen name: Izzy Bickerstaff), a writer in 1946 who finds herself entranced by the titular society, formed during the German occupation of the island. Like the book before it, the quirkiness of the story's characters masks dark undertones related to the horrors of the just-concluded war, lending the film a surprising emotional depth. Mike Newell (Four Weddings and a Funeral, Donnie Brasco) directs. You can stream The Guernsey Literary and Potato Peel Pie Society here.
Anyone but You (2023)
A loose spin on Much Ado About Nothing, Anyone But You stars Sydney Sweeney and Glen Powell as a couple who meet, hit it off for about a minute—and then immediately start to get on each other's nerves. Until, of course, they need wedding dates and find themselves surrounded by scheming friends. As Shakespeare taught us, of such inauspicious beginnings are great romances sometimes born. It's not wildly out there as rom-com premises go, but the movie is briskly directed and boasts strong chemistry (a must) between Sweeney and Powell. You can stream Anyone but You here.
Beginners (2010)
Better late than never: That’s the message of Beginners, in which Hal, played by Christopher Plummer (beginning his own late-career resurgence) comes out to his son, Oliver (Ewan McGregor). As Hal begins to live his life more openly and finds love with a younger man, he also develops a more honest relationship with his son. As a result, the two become closer than they ever were before, and their relationship inspires Oliver to pursue a new romance of his own—and to generally live life on his own terms. It’s a movie about how, sometimes, being true to yourself is the best way to be a good parent. You can stream Beginners here.
Do the Right Thing (1989)
Director Spike Lee had his greatest triumph with this funny, quotable, and ultimately explosive film about the racial tensions percolating in a Brooklyn neighborhood on a hot summer day. Stylish, funny, humane, and, ultimately, a gut punch. You can stream Do the Right Thing here.
Scoop (2024)
The reliably great Gillian Anderson plays real-life British journalist Emily Maitlis, who lead the BBC2 team that secured the disastrous interview with Prince Andrew (Rufus Sewell) that laid bare his associations with sex trafficker Jeffrey Epstein—and by "disastrous," I mean that it was a disaster for the Prince, who couldn't seem to stop himself from making things worse. A juicy and compelling true story. Keeley Hawes and Billie Piper also star. You can stream Scoop here.
Passing (2021)
This gorgeous black-and-white adaptation of the once-controversial 1929 novel explores the dramatized history of some light-skinned African-Americans attempting to pass as white. Ruth Negga and Tessa Thompson play old friends who reunite unexpectedly after years apart; one is married to a Black man and living in Harlem while the other is married to an odious, racist white doctor who has no idea his wife isn’t the woman he thinks she is. The fallout both women experience as a result of their chance encounter is an indictment of a society that would place so much value on skin color, yes, but it’s also a challenging consideration of the choices people will make for self-preservation, and it offers no easy answers. You can stream Passing here.
May December (2023)
Todd Haynes directs this insightful, moving, and also deliberately campy story of an actress visiting the woman she'll be playing in a film. The movie's deft, and unexpected, blending of tones makes it pretty consistently fascinating, and the lead performances from Natalie Portman, Julianne Moore, and Charles Melton saw them all as Oscar nomination frontrunners, even if no actual nods were forthcoming. You can stream May December here.
Carol (2015)
The chemistry between Rooney Mara’s Therese and Cate Blanchett’s Carol is palpable from the moment their eyes meet across a crowded department store—but it’s the 1950s, and theirs is a love that dare not speak its name, even to one another. That’s just how things were back then (luckily, queerphobia has been entirely eradicated). The women suffer for their love in Todd Haynes' modern classic, but the tears come less when things are going bad as when it starts to feel like they might just possibly start to go a little right. You can stream Carol here.
Nyad (2023)
Annette Bening stars as the real-life Diana Nyad, who swam from Florida to Cuba in her 60s—powered largely by an unyielding willfulness. The movie succeeds in large part because of the performances from and chemistry between lead Annette Bening and Jodie Foster, both of whom received Oscar nominations for their work here. The movie makes a strong case that age is inevitably a weakness in many ways, but can also be a source of surprising strength. You can stream Nyad here.
The Lost Daughter (2021)
Inspired, in part, by ancient Greek mythology, this psychological drama was probably never destined to be a crowd-pleaser—but it’s a genuinely confident, bold debut from writer/director Maggie Gyllenhaal. Olivia Colman (who got a Best Actress Oscar nomination for her trouble) plays Leda Caruso, a middle-aged college professor who develops a rather disturbing obsession with a woman and her young daughter while on holiday in Greece. Jessie Buckley also got an Oscar nod for playing a younger version of Leda, and Gyllenhaal picked up a nomination for her screenplay. You can stream The Lost Daughter here.
The Boy Who Harnessed the Wind (2019)
Chiwetel Ejiofor wrote and directed (also co-starred) in the biographical, family-friendly (in the best sense) film based not he memoir of William Kamkwamba (played here by Maxwell Simba). Born to a family of farmers in Kasungu, Malawi, William barely manages to stay in school (essentially blackmailing a teacher in lieu of being able to afford tuition), but his persistence pays off: the young engineering prodigy develops a design for a windmill that might be able to save the village from the impacts of drought and a global economic downturn—but only if he can convince his family that the sacrifices required to build his machine will be worth it. You can stream The Boy Who Harnessed the Wind here.
Judy (2019)
Renée Zellweger won an Oscar for her portrayal of screen legend Judy Garland in this biopic that focuses on the last year of her life, contrasting the period of trial with scenes from her early life, and drawing straight lines between the treatment of a child actor with the troubles of an aging star. There are some biopic tropes here, and the film builds to a necessarily tragic conclusion, but there's a great deal of heart and humanity here, and Zellweger offers up a very worthy performance. You can stream Judy here.
Twilight (2008)
Say what you like about Catherine Hardwicke's adaptation of the Stephenie Meyer's novel: the movie was a blockbuster and a genuine pop culture phenomenon, touching on the drama and trauma of teen romance in grand, nearly operatic, style. The movie was released during the country's last major economic downturn, and some sparkly vampires might be just the comfort watch you need in more recently troubling times. You can stream Twilight here.
Goodfellas (1990)
Martin Scorsese's epic take on the life of real-life mobster Henry Hill (Ray Liotta) is an indisputable classic of the genre—in fact, it's the movie people think of first when you mention gangster movies. Scorsese has rarely been better, but the movie's performances (from Liotta, Robert De Niro, Lorraine Bracco, and Joe Pesci) are where it soars. You can stream Goodfellas here.
Rustin (2023)
Colman Domingo gives a stellar performance (he earned a Best Actor Oscar nomination) as the title's Bayard Rustin, the gay Civil Rights leader who planned the March on Washington. Domingo is all charm here as a man desperate to advance a movement focused on his skin color but is less certain how to treat his sexuality. Not only is it an intersectional corrective to our very straight-centered vision of the Civil Rights Movement, it's a stylish and moving biopic in its own right. You can stream Rustin here.
The Boys in the Band (2020)
An update of the 1968 play (previously adapted to the screen by William Friedkin in 1970), Boys in the Band keeps its period setting and premise: Michael (Jim Parsons) is hosting a very gay birthday for his friend Harold (Zachary Quinto), joined by their friends Donald (Matt Bomer) and Larry (Andrew Rannells). Everyone's ready to cut loose without the pressure of having to act straight—until they're joined unexpectedly by married Alan (Brian Hutchison), and everyone has to decide how far they're willing to shove themselves back in the closet. You can stream The Boys in the Band here.
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