Netflix’s sensational dystopian survival thriller Squid Game challenged the conventions of K-dramas while openly criticizing the crushing weight of capitalism that strangles South Korea. Creator Hwang Dong-hyuk cleverly approached classism through creative lens, and upon such overwhelmingly positive cultural response, unsurprisingly earned a second season.
While it’s a bit ironic that Netflix would easily cash out to profit over continuing a now-series that blatantly brutalizes greed, perhaps the ongoing commentary of how lethal apathic the lust for cash can be is hypocritically necessary. Fiction is keen on reflecting reality, and Hwang is wise enough to know that despite Squid Game season 2 majorly focusing on issues concerning South Korea, that his storytelling remains to be universally relevant.
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