The Marvel Cinematic Universe’s music doesn’t get enough credit ...Middle East

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The Marvel Cinematic Universe’s music doesn’t get enough credit

In these trying times, it can sometimes be hard to remember why you were once such a die-hard Marvel Cinematic Universe fan. Then, a project like Daredevil: Born Again comes along, and it restores your faith in Marvel’s and Kevin Feige’s decision-making process—even if it took them a while to reach the right conclusion—because it’s just that good.

The main problems plaguing the MCU are the weight of our expectations and the bar set by the Infinity Saga. The way that first saga came together in three phases of storytelling was, quite honestly, a miracle, and it’s easy to forget that the MCU had a few missteps along the way to that greatness, too. Iron Man 2 was not very good, remember? The second Thor movie was saved by the power of Tom Hiddleston’s Loki alone. Avengers: Age of Ultron was widely derided (at the time, at least—there’s been some revisionism going on), and Ant-Man and the Wasp needed some work. Yet, in the grand scheme of things, none of that truly seemed to matter because we had faith in the Marvel Studios brand, and more importantly, we had faith in these characters and their stories.

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