“Have you seen the Egyptian Museum? Much of pharaonic art is surrealist,” wrote Kamel el Telmissany, an Egyptian surrealist artist closely associated with the Cairo-based Art and Liberty Group, in a 1939 journal entry. As el Telmissany insightfully pointed out, surrealism — an artistic movement that delves into the subconscious, while challenging conventional perceptions of reality — was not “specifically a French movement,” as many art critics often claim. Instead, it goes beyond nationality and religion, embodying a universal movement that has existed for millennia, even in the ancient times of the pharaohs. Though surrealism has evolved over the years, its essence — its primary goal — has remained consistent: to explore the subconscious realms of human emotion, thought, and action, and create art that illuminates rather than obscures, and liberates rather than confines. ‘Degenerate’ Egyptian Art and Sexual Freedom The year was 1938, a time marked by the growing spread of totalitarianism, a political system that imposes control on all aspects of human life, and fear across the globe, with Hitler’s Germany at its epicenter. In this climate, art faced intense repression, and was labeled as “degenerate art” byContinue reading "How ‘Degenerate’ Egyptian Surrealism Tackled the Politics of Sex and Colonialism"
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