From childhood, we’re told, the Purdue siblings were dragged around the globe by their treasure-hunter dad (in case anyone has missed the Indy parallels, we’re told his first name was… Harrison). Now an adult, Charlotte no longer wants anything to do with exploring. Going through a nasty divorce, she’s more worried about how often she’ll see her son, Thomas (Benjamin Chivers).
It’s also the first of many action sequences directed with all of Ritchie’s usual flair for staging, from a punch-up on a sinking ship (the long-lost Lusitania, no less!) to a bruising hand-to-hand scrap in a Viennese library between Luke and the mysterious Esme (Eiza González), who is trying to thwart his quest.
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Krasinski is having a blast in "wisecracking action-hero" mode, but while his character has convincing physical skills and the essential twinkle in his eye, he often talks too quickly. His one-liners get no time to breathe – by the time you’ve realised you’re supposed to laugh, he’s already well into his next conversation and you’re missing what he’s saying.
As for the plot… well, it’s utter nonsense, bearing no relation to any kind of reality or logic (the appearance of the aforementioned Lusitania springs to mind). At least the silliness is endearing; this is essentially a Scooby-Doo adventure with an Oscar-winning actress at its centre. Oh, and Stanley Tucci is criminally underused, appearing in just one single scene as a Vatican higher-up (shades of Conclave) who wants to keep the fountain protected.
Portman and Krasinski do make a likeable double act, though, and González is superb, doing a lot with an underwritten role as she chases them down. James Vanderbilt’s screenplay might be frantic but it never loses sight of the sibling relationship at its core. This is a perfect Sunday afternoon romp for the family, then: fast, fun and dumb.
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