But in MobLand, which airs on Paramount+, he leans into a much quieter menace. He's a man struggling with balance in both the family he's sworn to protect and a family of his own. "How do you walk away from this?" Hardy asked in reference to his character's lack of ability to both protect his family and walk away from the job that puts them in danger.
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So there's some obliviousness to the things he can't solve, which is the rift that's been created between him and Jan?Yeah, can just walk away from it? How do you walk away from this and then everything be normal? What's normal? I think that's going to be interesting to watch develop. He's on a trajectory, which I think the barn door is wide open, and the horse is already bolted. Where do you start repairing? The damage has been done.
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And it's a reunion between you and Paddy!I've been a huge fan of Paddy since I started here with Stephen Graham. Him and Michael Shannon, they were certain character actors that were just amazing and just absolutely, incredibly inspiring. And at the same age as I am. So I've been dying to work with Paddy since we did Child 44. So, to spend time building a friendship on screen with him, which progresses throughout the episodes, as you'll see, was just fantastic. He's a brilliant actor.
So for them, they've got to keep in line with it. We've all got to maintain a throughline of the style and the tone that Guy has set sail with on Episodes 1 and 2. But Anthony did 3 and 4, and he did 9 and 10. Gough did 7 and 8 and Sorkin did 5 and 6. It becomes a sort of mosaic, a tapestry of different visionaries coming together and harmonizing under the pacemaker that is Guy. He set the pace and he'll overlook all the episodics and their edits with David Glass from 101 [Studios].
Do you approach television roles differently than movie roles?Not really, no. The speed with which we shoot television... because in film, we can spend a lot of time. Let's say, [it 's] a page a day filming a movie, sometimes less, depending on the size of it. In the same amount of time, we would shoot sort of between five and eight pages on a TV show. So it's a lot faster. But it doesn't make my work any different; it just means that we cover more ground. For me, I prefer the speed of a television shoot in many respects because you don't do things over and over and over and over and over and over and over again and then refine them and then over and over and over. [On TV], we're just different. They're different experiences.
New episodes of MobLand are available to stream Sundays on Paramount+.
Related: Tom Hardy, Pierce Brosnan and Helen Mirren Lead Guy Ritchie's New Paramount+ Series 'Mobland'
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