Instead, Giuliani was more concerned with his depiction by veteran court sketch artist Jane Rosenberg, whom he tasked with making him look good this time around.
Giuliani is on trial to determine whether he must hand over his multimillion-dollar Florida condominium to Ruby Freeman and Shaye Moss, a mother-daughter duo of election workers whom he’s spent the last year worming his way out of paying nearly $150 million in damages.
In November, the former gang-busting federal prosecutor tried on a new legal defense to keep his stuff, arguing in a Manhattan courthouse that he couldn’t possibly hand over his assets to Freeman and Moss because he simply didn’t know where they were. Some of those assets include his Manhattan penthouse, a famously immovable object, as well as his Mercedes convertible, which he was seen driving in Florida on Election Day. In response, Judge Lewis Liman said that the idea that neither Giuliani nor anyone else in the world has knowledge about the location of his assets was “farcical.”
And Giuliani’s own legal representation in the Freeman and Moss case ditched him that same month, declaring in a motion in federal court that they had reached a “fundamental disagreement” with the ex–New York mayor.
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