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Urdu writer, director from Punjab and Malayalee actors — ‘Tamasha’ is born ...Middle East
New Delhi: The language is alien. The stories are not. The accents are distinct, the bodies and their rhythms — familiar. As Manto’s six stories come alive on stage and a few minutes pass, the ears stop straining. Images take over and sounds resound. Text is no longer the centre. Those imaginative enough are allowed to make their own stories as bodies move, and physical and emotional patterns emerge. Partition, intrigue, hopelessness, exploitation, perversion, a small crack in the clouds…. theatre director Neelam Mansingh Chowdhary’s latest production ‘Tamasha’ operates on different planes, in diverse labyrinths. However, when Chowdhary, recipient of the Padma Shri honour, works with studen
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