Better known as “the Predator” in pop culture, each wound, feat, kill and trophy collected serves as war medals for a Yautja’s prowess. Like the extraterrestrial apex predators, director Dan Trachtenberg too has claimed another gory, blood-soaked trophy with Predator: Killer of Killers.
Almost a thousand years later, the ninja Kenji (Louis Ozawa) launches a lone attempt to defeat his brother Kiyoshi, a daimyo, in his castle.
The three storylines eventually converge on a planet that a group of Predators have turned into a coliseum.
Three years ago, Trachtenberg’s Prey was released to wide acclaim, with one of the big positives being the film’s setting, which took the film’s Predator to 18th century America, pitting a hulking Yautja against Native American warriors from the Comanche tribe.
It was also a long-held dream of franchise fans brought to life. A dream born from a single question: “What would a Predator film look like if it took place during a bygone era etched within history books?”
The film is also inspired by and expands the concept behind 2010’s Predators, where humans are abducted, brought to a different planet, then hunted by the Yautja as wild game.
LaVanchy, Ozawa and Gonzalez deliver great vocal performances for their distinct characters, but beyond their self-contained story segments, the three lead characters get almost no development. They are introduced and almost immediately face off against the Yautja, before Killer of Killers barrels off into space.
However, it may also be intentional as Trachtenberg might be using Killer of Killers as a vehicle to either lay the groundwork or introduce concepts that he will expand more upon in the upcoming live-action film Predator: Badlands, which is set for release later this year.
Predator: Killer of Killers is streaming on Disney+ Hotstar.
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