Directed by indie helmer Dean Fleischer Camp (an Oscar-nominee himself for the wonderful Marcel the Shell with Shoes On), 2025’s Lilo & Stitch is the latest in Disney’s spate of recent, largely lucrative remakes. In this near-seamless mash-up of live-action and CGI, Stitch is brought to life in tangibly textured, state-of-the-art animation (and once again voiced by creator Sanders), with a classy cast adding credibility and comic chops to the much-loved material.
Amy Hill is a scene-stealer in the role of Tūtū, an elderly neighbour of Lilo and Nani, who looks out for the siblings, while Tia Carrere (who voiced Nani in the original) appears as social worker Mrs Kekoa, who is monitoring their situation closely as Nani struggles to cope.
Lilo and Nani’s lives are upended further when Lilo brings home Stitch from a rescue centre, believing him to be some kind of colourful canine. Originally known as Experiment 626, Stitch has fled an emergency meeting of the Galactic Council, presided over by Hannah Waddingham’s Grand Councilwoman, stealing a police cruiser and ending up on Earth.
The pair disguise themselves as humans once they land on the planet, yet prove utterly hopeless at blending in. Courtney B Vance appears as Agent Cobra Bubbles (a role originally voiced by Ving Rhames), a CIA operative unconvincingly posing as Mrs Kekoa’s social worker superior.
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After the debacle that was the live-action Snow White, it’s a pleasure to report that Lilo & Stitch is far more successful. It helps that the filmmakers are working with a less problematic property and the film has been made with great care, attention to detail and love for Hawaiian culture, with the story fleshed out nicely (the runtime is 108-minutes compared to the 85-minute original).
Lilo & Stitch hammers home the ‘family matters’ message during the climax, which feels like it could have been trimmed, but overall this is expertly executed, cross-generational fun that combines the look of a lavish Disney production with oodles of oddball charm.
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