The Artist Isn’t Dead ...Middle East

I studied to be a painter in college and had what I now know is a pretty common experience. My fellow students and I produced dumpster loads of bad art, debated theory that was nearly 20 years out of date, and never really spoke about how we planned to make a living once this idyll of calm had passed and the bills started coming due. When I moved to New York City almost a decade ago, I found a job cooking, as I figured I would. I had only ever held service jobs, going on the assumption that waged labor was completely separate from the individualistic and lonely practice of painting. But soon I happened into work installing art at a museum. I quickly found this was much better than a job at a

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