In Jesse Eisenberg's "A Real Pain," now in theaters, two cousins reunite for a tour through Poland in honor of their recently deceased grandmother, who lived there before the Holocaust. Hoping that the experience will allow them to reconnect with their family's past and grapple with their own sense of guilt and obligation toward the legacy of pain that lies there, the pair instead find that visiting concentration camps and historic cemeteries with a group, as part of a Holocaust heritage tour, leaves them twice as conflicted. How should we remember? What must we learn? Is it possible to comprehend what happened? How can we reconcile our existential angst with historical trauma? To what
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