FASCINATED by modern architectural culture and fluctuating urban developments, experimental printmaker Mark Tan set out to interpret the effect of the rapid growth of modernisation. An alumni of Drawing and Applied Arts from the University of the West of England, Tan returned to Kuala Lumpur in 2014, where he started investigating the spatial relationship between architectural culture and the identity of a city, through printmaking. Informed by fragments of memory hidden in the recesses of his mind from past observation and photographs, Tan began to construct and deconstruct the origin of his memories in a process that involved discovering what marks must be made on the paper. His most recen
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