‘God is a Woman’ Review: A Moving, Time-Bridging Reflection on Documentary-Making and Who It’s Really For ...Middle East

Who does a documentary truly belong to — the people who make it, the people who fund it, or the people it depicts? On the face of it, the answer seems obvious: At a spiritual level, if not always a corporate one, we tend to think of art as the property of the artist. Yet […]

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